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Somehow this seems like a fitting capper for the week to me:

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I don’t know where people get the ideas for this stuff, but this is worth a viewing:

Happy Friday!

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Real Estate, “It’s Real”

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No? Well watch this then:

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I think I’ve listened to this song about once every two days over the past two months. It’s both mean and tender, with some of the best tuneful guitar playing ever:

The live version is even better than the studio one, I think.

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Sticking in the Robert Altman vein, I’ll recommend Cookie’s Fortune for your viewing pleasure. It was one of his last movies, but another very solid and entertaining character piece nevertheless. Altman is not exactly a man of the South–Kansas City isn’t all that close, really–but he seems to understand it reasonably well, and the rhythms feel pretty authentic, the movie’s pace slower and more laid-back than usual without overdoing it. The movie is about the suicide of an elderly Southern woman, covered up by her godbothering daughter for reasons of pride and profit, and how it affects the lives of everyone else in this small town. And it’s actually a comedy! As per usual, this one has an eclectic cast, with the always awesome Charles S. Dutton and Julianne Moore featured prominently, as well as the much more spotty Glenn Close and Liv Tyler, and it even features Chris “Robin” O’Donnell too, since this was around minute thirteen of his fame. But all of them fare well, even Robin–the movie uses the Keanu Reeves solution of casting a blank actor as a dim character, and it works here. Altman takes his expected digs at religious hypocrisy, greed, materialism and selfishness with general success, but as with all his movies the joy of the thing is hanging out with a group of distinctive, unusual, recognizable people for two hours. And this one certainly delivers that.

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Even in this environment, I doubt anyone would want to work here:

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The album it’s from never ceases to frustrate me, but this song nails it:

Yes, Lou Reed used to be cool. But other than that, it’s sort of bracing to hear the guy dispose of cliche after cliche, a lot of which people who should know better continue to take seriously. It’s really a call for critical thinking, which is something we can always use!

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Some bad lip readers reveal what Michele Bachmann is really thinking about when she speaks:

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A Wedding is a film by the legendary Robert Altman. It’s not generally considered to be one of his major works, but after watching it I’ve come to believe it’s quite underrated and deserves a place in the man’s first tier of work. Altman’s take on a wedding film is pretty similar to his sideways takes on other genres, in that it’s completely uninterested in what most films of the type would be interested in: the actual couple getting married. They’re supporting characters at best (and considering that the groom is played by Desi Arnaz Jr., that’s probably for the best). There’s less a plot than a ton of different threads, including unplanned pregnancies, several different levels of class tensions, all manner of secrets being exposed (most of which were pointlessly kept in the first place), and so on, all done with a dearth of sentiment. What surprised me about the movie was how funny it was–a lot of the humor is supplied by a squad of truly inept security officers, who among other things beat up the groom’s uncle and then assume he’s an impostor after seeing his ID, and of course allowing the main wedding gift to be stolen. Later there’s a speech by the lead security guy to the priest conducting the wedding about how he also took an oath of celibacy when he began his work. Really, though, there are so many ironic lines and barbs, it’s hard to just pick out a few. There’s so much going on in the movie and actually most of it lands, including a surprisingly resonant death of a minor character that caps the film. So I would readily recommend it.

And guess what, it’s also freely available on YouTube. Here‘s Part 1 of 10, if your Friday is going slowly. (Update: apparently embedding isn’t working, so click the prior link to check it out.)

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I’m not usually a fan of dance, but I came across this clip a little while ago and it is pretty amazing. The lousy pop song in the background grates, but forgivable considering what’s actually going on:

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